Tuesday, September 30, 2014

Rhythm

Chanoyu, the tea ceremony, is slow and methodical but once matcha is made and served, it is time to quicken the pace. This change of tempo is easy to overlook. A student of tea can spend years on technique before the need for rhythm becomes apparent.

It is akin to learning to play a musical instrument. For me at least, after playing the same folk tunes on my shakuhachi for years I am finally able to think about the time signatures. I cannot quite tap my foot and play but I am improving. This lack of rhythm is the reason, when I think back, that I did not exceled at sports that required coordination.

I have found that part of aging is the ability to look back at the zenith and the nadir of my life. It is a thought provoking exercise to see why some things worked and others did not. Of course, what is done is done, but what was done lives on in memories and an their analysis can help explain a lifetime of decisions. There is value in this.

I try to pass on these revelations but to do this is awkward. It is rare for people not to make their own mistakes. How else would they learn from them? History is full of instances where the past was relived because the past was ignored.

As often happens about three hundred words into my commentaries I begin to wonder where am I going with this. After all, I started with chanoyu. Chanoyu is a dance, a dance with a beginning but no end. This also took time to appreciate.

I watched a fellow student make tea recently and thought of a real world example of chanoyu’s tempo. In the Canadian waterways that Charlotte and I have traversed over the last several summers, we traveled up to travel down. Our goal was to descend from Lake Michigan and Lake Huron’s 560 feet to sea level on the St. Lawrence River. As with many things in life, this was not a straightforward proposition. Several waterways took us up to 900 feet (and over a thousand miles) before sea level was reached east of Montreal.

We wrestled gravity and currents climbing through the lock systems. Once on the top, we flowed with it. It was not effortless. It still required skill and attention but as in chanoyu, informality accompanied the descent. The nights passed leisurely with the realization that the morning’s passage would be easier.

The journey down was more social, and similarly in chanoyu once the matcha is made and served the mood relaxes. It is time to converse and talk of utensils, flowers, ceramics, and poetry. Time to catch up with your guest and enjoy the moment.

So this is the rhythm of chanoyu, the waterways, and I think, life. This insight is an accomplishment to cherish.

September 2014